When students from the College of Music head east next week to the Big Apple and the bright lights of Carnegie Hall, the Weill Recital Hall stage won’t be the only one they take.
During her career, Barbara Bentree (BME ’80) has collaborated with Mouseketeers, her husband and even her high school classmates. But through it all, the name of a fellow College of Music graduate kept coming up.
At Faculty Tuesday on Nov. 1, pianist Hsing-ay Hsu explores a few different compositional approaches with the astonishing genius of Beethoven and Chopin.
The College of Music's non-major history of rock course is expanding, and instructor Mike Barnett sees an opportunity to educate more people on the power of rock.
The Woodwind faculty continue our Faculty Tuesday series on Tuesday, Oct. 25. "Woodwinds in Evening" features works by Camille Saint-Saëns, Jean Françaix and Charles Gounod.
Marty Coffin Evans is steward of her father's legacy at the College of Music, a tireless champion for vocal pedagogy and ever an advocate of her alma mater, the ÐßÐßÊÓƵ.
It’s a big week for Associate Professor of Composition Daniel Kellogg: One of the biggest pieces he’s ever written will have its world premiere at Boettcher Concert Hall in Denver.
On Monday evening, Nov. 7, music at CU ÐßÐßÊÓƵ will be well represented on the East Coast when the College of Music puts on a showcase concert at Carnegie Hall’s Weill Recital Hall.
